{"id":266,"date":"2023-11-02T20:38:09","date_gmt":"2023-11-02T20:38:09","guid":{"rendered":"https:\/\/radionewyorklive.com\/en\/?p=266"},"modified":"2024-09-21T17:52:38","modified_gmt":"2024-09-21T21:52:38","slug":"the-beatles-latest-tune-now-and-then","status":"publish","type":"post","link":"https:\/\/radionewyorklive.com\/en\/new-songs\/the-beatles-latest-tune-now-and-then\/","title":{"rendered":"The Beatles&#8217; Latest Tune, &#8220;Now And Then&#8221;"},"content":{"rendered":"\n<p>The long-anticipated moment is finally here. Today marks the release of &#8220;Now and Then,&#8221; the latest and somewhat &#8220;last&#8221; track by The Beatles. This song originated from a home demo recorded by John Lennon back in 1978. The demo, which resurfaced in the 1990s, was eventually completed last year with the invaluable aid of cutting-edge technology developed during the making of the &#8220;Get Back&#8221; miniseries, thanks to Peter Jackson.<\/p>\n\n\n\n<p>Adding an intriguing sense of closure, &#8220;Now And Then&#8221; is hitting the airwaves alongside the reissue of &#8220;Love Me Do,&#8221; the 1962 debut single of the Liverpool quartet, now available in stereo and Dolby Atmos.<\/p>\n\n\n\n<p>As of today, the song will grace radio waves while being simultaneously available on various streaming platforms. Physical copies in both CD and vinyl formats, including the once-antiquated but now resurgent cassette, are set to hit the shelves starting this Friday. This coincides with the release of an official music video. From November 10th, &#8220;Now And Then&#8221; will be part of the revamped editions of the classic &#8220;Red&#8221; and &#8220;Blue&#8221; collections, featuring a grand total of 21 additional tracks.<\/p>\n\n\n\n<p>In the meantime, a 12-minute documentary titled &#8220;Now And Then &#8211; The Last Beatles Song,&#8221; scripted and directed by Oliver Murray, has been unveiled on The Beatles&#8217; official YouTube channel. The documentary takes viewers on a captivating journey through the song&#8217;s history, utilizing found video footage and the insights of key figures, including Paul McCartney, Ringo Starr, George Harrison, Sean Ono Lennon, Yoko Ono, and Peter Jackson.<\/p>\n\n\n\n<p><strong>The Genesis<\/strong><\/p>\n\n\n\n<p>The story unfolds in 1978 when John Lennon recorded a demo comprising vocals and piano in the comfort of his New York home. This &#8220;sketch&#8221; began circulating among fans as a bootleg in the subsequent years.<\/p>\n\n\n\n<p>Sean, John&#8217;s son, reminisces in the documentary, stating, &#8220;I remember my dad constantly playing around the house. He was continuously recording demos, and I recall him using those cassette recorders. Mom had a handful of songs that my father hadn&#8217;t completed.&#8221;<\/p>\n\n\n\n<p>Following John&#8217;s passing, Yoko Ono delivered the recording to the other Beatles on a cassette that also contained demos of &#8220;Free As A Bird&#8221; and &#8220;Real Love,&#8221; tracks that were ultimately completed by Paul, George, and Ringo between 1995 and 1996. These singles marked the first &#8220;new&#8221; Beatles songs since their breakup.<\/p>\n\n\n\n<p>During these recording sessions, &#8220;Now And Then&#8221; was considered but was essentially an unfinished chorus due to the exceedingly poor quality of the recording. Consequently, it was put on the backburner.<\/p>\n\n\n\n<p>Fast forward nearly three decades, and advancements in technology have made it possible to cleanly separate Lennon&#8217;s vocals from the piano, a crucial step in finalizing the song.<\/p>\n\n\n\n<p><strong>The Role of Artificial Intelligence<\/strong><\/p>\n\n\n\n<p>The making of the documentary-miniseries &#8220;The Beatles: Get Back&#8221; witnessed Peter Jackson and his WingNut Films team using MAL audio technology to deconstruct the soundtrack by separating instruments, voices, and overlapping sounds, based on machine learning processes.<\/p>\n\n\n\n<p>This technology, having been employed for the 2022 remix of &#8220;Revolver,&#8221; based on the original master recordings from 1966, set the stage for revisiting &#8220;Now and Then.&#8221;<\/p>\n\n\n\n<p>In 2022, Paul and Ringo successfully integrated the song with electric and acoustic guitar parts recorded by Harrison in 1995. Ringo added a fresh drum section, and Paul enriched the song with bass lines, piano, and slide guitar (as a nod to George). The final touch was a beautiful string arrangement crafted by producer Giles Martin, in collaboration with Paul and Ben Foster.<\/p>\n\n\n\n<p>&#8220;This is the last song my father, Paul, George, and Ringo had the opportunity to create together,&#8221; affirms Sean Ono Lennon. &#8220;It&#8217;s like a time capsule, as if everything were destined to be this way. My dad would have loved it because he never shied away from experimenting with new recording technologies.&#8221;<\/p>\n\n\n\n<p>Paul McCartney is equally convinced that John would have given his wholehearted approval: &#8220;Is there any reason not to do this? Every time I contemplated it, I thought to myself, hang on a moment, what if I had the chance to ask John, &#8216;Hey, would you mind if we completed this last song of yours?&#8217; I&#8217;m sure, I know he would have said &#8216;Yes!'&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The long-anticipated moment is finally here. Today marks the release of &#8220;Now and Then,&#8221; the latest and somewhat &#8220;last&#8221; track by The Beatles. This song originated from a home demo recorded by John Lennon back in 1978. The demo, which resurfaced in the 1990s, was eventually completed last year with ...<\/p>\n","protected":false},"author":1,"featured_media":267,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[81,80],"class_list":["post-266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-songs","tag-now-and-then","tag-the-beatles"],"acf":[],"_links":{"self":[{"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/posts\/266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":6,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/posts\/266\/revisions"}],"predecessor-version":[{"id":28706,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/posts\/266\/revisions\/28706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/media\/267"}],"wp:attachment":[{"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/media?parent=266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/categories?post=266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radionewyorklive.com\/en\/wp-json\/wp\/v2\/tags?post=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}