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“Everybody Else” is a jagged, bitter elegy for Middle America, where the lawns are mowed, the screens glow blue, and the blame always lands elsewhere. In this searing track, Deathwish Cassanova dissects the soul-sucking monotony of modern living with surgical precision and righteous fury. Wrapped in piano and an almost sarcastically upbeat rhythm, the song hides venom beneath varnish, each verse a brick in the crumbling facade of suburban contentment.
Lyrically, it’s a masterclass in deflection as art. The narrator never owns the decay; it’s always somebody else’s mess, somebody else’s fault, somebody else’s future to ruin. Whether it’s economic stagnation, political theater, or the narcotic drip of social media, the song paints a portrait of a society that’s both asleep at the wheel and convinced it’s still driving.
More than just a critique, “Everybody Else” is a thorough dismantling of the myths of hard work, of the sanitized American Dream, and of the desperate finger-pointing that defines an era terrified of reflection. Deathwish Cassanova doesn’t just sing about a broken world. He sets it on fire, then walks away with a smirk.
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Deathwish Cassanova Everybody Else
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